Run Ahead of Me : Mpatapo: Reconciliation and Peacemaking : FACEBOOK POST
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Mpatapo : Knot of Reconciliation / Peace Building [ symbolism Adrinkra ] http://runaheadofme.blogspot. Mpatapo: Reconciliation and Peacemaking This image is an Adinkra symbol (a system of symbols from Ghana in West Africa) called mpatapo. It is meant to represent the "knot of pacification/reconciliation," and as such it is the symbol for reconciliation, peacemaking and pacification. "Mpatapo represents the bond or knot that binds the separate parties in a dispute to a peaceful, harmonious reconciliation. It is a symbol of peacemaking after strife." --from West African Wisdom: Adinkra Symbols & Meanings I am trying to expand my efforts at teaching conflict resolution throughout the schools where I work and have chosen this symbol as the "badge" to give kids and adults who have successfully learned the principles and have pledged to embody them throughout the school. My guiding principles are summed up pretty well in the words of a Buddhist nun, so I will let her speak for me: We
need to bring loving-kindness not only into the family but also into
the schools. Before I became a nun, I was a schoolteacher, so I have
especially strong feelings about this. The most important thing for
children to learn is not a lot of information, but how to be kind human
beings and how to resolve their conflicts with others in a
constructive way. Parents and teachers put a lot of time and money into
teaching children science, arithmetic, literature, geography, geology,
and computers. But do we ever spend any time teaching them how to be
kind? Do we have any courses in kindness? Do we teach kids how to work
with their own negative emotions and how to resolve conflicts with
others? I think this is much more important than the academic subjects.
Why? Children may know a lot, but if they grow up to be unkind,
resentful, or greedy adults, their lives will not be happy. === But as adults, these children mentioned above become set into their ways. They do not listen to common wisdoms. They continue to strike out in non-peaceful ways towards others. What will it take for them to react and come back after they have cut and run from a major or even minor offense upon another human being? This is the answer I have sought to generate that Maptapo BOND in a way that is peaceful, even though it may refer to something extreme. It does work! Not always, but it has resulted in at least an apology issued from them back to me for their offense. I am sure that sometimes they still are stuck on their mindset after they depart from that point of my life back into their set ways of the life real space domains. I wish this would STICK to the WORLD of PERMANENCE --- Someday. For when they encounter this in true form Mpatapo binding processes either private from the offended party back upon them them -- or public if and/or when necessary, they realize this is the reality of the world, within the science of memetics. They sink down and perhaps really see what they are doing is hurtful. They can no longer do hurtful and hateful things toward others and get away with it in cut and run into a silence to the world of all things to then recycle again the same thing upon another. Our ways of peaceful being can be established in the real time assisted by technology under these domains. By The Way: The domain METTA.WS is also held under my domain set of names I carry forward upon this mission. This is two years prior to the celebrity status of METTA WORLD PEACE changing his legal name. Even though these are strickily place markers of time, that I just so happen to hold, this does not make a difference that others actually listen. Will you open your mind and heart to listen to what is memetically active here? For the word Muck -- with the first letter as an F -- is more universally understood in more languages than the word for "Peace". This is fact. So, that is the pivoting point of truth that I am holding on the binding. Sorry, to strike out that this is true. It may not be kind, in a fully METTA way, but it is KIND if they see what the ultimate goal of course is happiness, as the #WordsToLiveBy that are under this memespace is defined for the reader from the time these words were originally stated in our humanity in about the year 1780. I have fully contained the idealism with widsoms we have lost. I am trying to return them back into our mindsets, no matter what age of life one is in, children to adult. These are important ideals to remember back. There is an Adrinkra symbol for that as well. Do know they all work together or don;'t bother using one just one. They are all important. Some of them are defined not so kindly, now are they? But this one is for today and for the past, it must show it's relevance here in my writing these thoughts onto your article. Thank you. Sankofa Se wo were fin a wo sankofa a yennkyi; It is not a taboo to return to fetch something you forgot earlier on.  Gruwup : Great Reasons Us Will Unite Peace : Complete Worldwide Peace https://l.facebook.com/l.php.. 7. Recombinant Memetics...See More  io9.com|By George Dvorsky [ Auto Signature Line Below ]: ------------------------------ Play MP3 Audio of TextAfrican Adrinkra Symbolism: Dwannimmen  Ram's Horn Concealment, Humility and Strength, Wisdom and Learning. It is the heart and not the horns that leads a ram to bully. As this applies to the "playroom" space here: There shall be no bullying allowed in this space that is accepted, tolerated, and not challenged for corrective action. No Bullying Allowed! No Cyber-bullying carried forward! Especially in Group Play situations, these can sometimes get too dismissive or diffusive to one person in the group particular aspects if what they want is not flowing for them. But there is a peaceful solution to these situations posted on the wall as words of guidance for all who are present here. 
Sankofa
is a word in the Akan language of Ghana that translates as "reach back
and get it" (san - to return; ko - to go; fa - to fetch, to seek and
take) and also refers to the Asante Adinkra symbol represented either by
a bird with its head turned backwards taking an egg off its back, or as
a stylised heart shape. More about Sankofa Use of Sankofa in North America and UK
The sankofa image has been adopted by numerous afro-centric organizations in North America
Sankofa symbols show themselves all over cities like Washington, DC and New Orleans, particularly in fence designs. Janet Jackson has a sankofa tattoo on her inner right wrist. The symbol is also featured in her 1997 album The Velvet Rope, as well as on the supporting tour. Cassandra Wilson recorded the song "Sankofa", which appeared on her 1993 Blue Light 'Til Dawn CD. ReferencesW. Bruce Willis, The Adinkra Dictionary: A visual primer on the language of Adinkra, Pyramid Complex (1998), ISBN 0-9661532-0-0 SankofaFrom Wikipedia, the free encyclopedia
Adinkra symbol for Sankofa
Sankofa is a word in the Akan language of Ghana that translates as "reach back and get it" (san - to return; ko - to go; fa - to fetch, to seek and take) and also refers to the Asante Adinkra symbol represented either by a bird with its head turned backwards taking an egg off its back, or as a stylised heart shape. Sankofa is often associated with the proverb, “Se wo were fi na wosankofa a yenkyi," which translates as: "It is not wrong to go back for that which you have forgotten."[1] The Sankofa symbol appears frequently in traditional Akan art, and has also been adopted as an important symbol in an African-American and African Diaspora context to represent the need to reflect on the past to build a successful future. It is one of the most widely dispersed adinkra symbols, appearing in modern jewellery, tattoos, and clothing. 
Bird symbol for Sankofa
ContentsOn Tue, Nov 24, 2015 at 10:57 AM, EveryLastCumDrop UGot <everylastcumdropugot@gmail.
 [ Auto Signature Line Below ]: ------------------------------ Play MP3 Audio of TextAfrican Adrinkra Symbolism: Dwannimmen Ram's Horn Concealment, Humility and Strength, Wisdom and Learning. It is the heart and not the horns that leads a ram to bully. As this applies to the "playroom" space here: There shall be no bullying allowed in this space that is accepted, tolerated, and not challenged for corrective action. No Bullying Allowed! No Cyber-bullying carried forward! Especially in Group Play situations, these can sometimes get too dismissive or diffusive to one person in the group particular aspects if what they want is not flowing for them. But there is a peaceful solution to these situations posted on the wall as words of guidance for all who are present here.
FOR PUBLIC MEMESPACE PLACEMENT: ZIPPED - the ZIP PASSWORD IS [ The Two CA License Plates Here attached to the wall at Awesome Kramobone Glows And Blows Playroom ] Another Words --- Zip Password Open to any and all persons who are guests here at my place. https://plus.google.com/  1 member - PublicAwesome Kramobone Glows and Blows Playroom Developing
a free community oriented Performance Art/Hangout & Play space at
my place in Cap Hill. [8 guest max] Google The name! http://fuckeduphuman.net/% Index of /[Persons]/Donell.Roosevelt.
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mericans have
always been more and at the same time less than what we pretended.
With the quickening approach of the twenty-first century, greater
numbers of us are giving testament to this inescapable fact,
challenging the cozy myths by which America has been ritually
defined. Who are we? Who are we becoming? Who and what have we
been? In the next century, can we even continue to speak (could
we ever?) of a collective "we"? For the longest, of
course, these questions had simple answers.  America was white. America was male. America was heterosexual. America was Christian. America, above all, was a melting pot into which diverse cultural communities gleefully descended to achieve the social and ideological transformation necessary for inclusion within the American Dream. That many of us--marginalized and oftentimes invisible Americans of African, Asian, Latino and Native descent, as well as women and the working poor--never quite melted and metamorphosized according to this traditional prescription for social progress, hardly mattered. The great distance between the Dream and our actual lives was not due to any fault in the Dream: the defect was in us. The Dream thus survived intact, its seductive power sustained by America's stubborn refusal to look too closely at the hidden but terrible costs of "the good life" and at who actually could--much less wanted to--afford it. The sixties, of course, spotlighted the complex oppressive regime of thought, politics and culture which underlay the myth of America. For the first time in U.S. history, the ideological fabric of white heterosexual patriarchy was exposed for the life-constricting straightjacket it had always been. Despite conservative attempts during subsequent years at repair, the old social fabric has been steadily unraveling. Thus we have arrived at this present moment, wherein a nation historically averse to serious introspection now exhibits--in its politics and popular media as well as its universities--an almost obsessive reflexive preoccupation with our national identity. To be expected, much of the current debate is simply a re-hash of old opinion--an attempt to forcefully rebut and undercut the de-centering politics of radical multiculturalism (i.e., the kind of multiculturalism where difference actually makes a differ-ence). Bring back the melting pot. Restore "traditional values." Re-institute prayer in schools. Preserve the primacy of Western civilization (the only one that matters anyway). And not least, protect that critical bedrock of American greatness, "the American family": such pronouncements reveal an intense, even pathological desire to perpetuate a thoroughly obsolete myth of America, and through this, a repressively orthodox system of sociocultural entitlement.
hile the ideas of conservative/fundamentalist America are hardly new, the typically strident pitch with which such ideas are now being argued betrays how acutely anxious many conservatives have come to feel, due to both real and anticipitated loss of privilege and power. What is more, arch-conservative rhetoric--as should be evident to anyone watching our presidential elections for the past quarter century--has found a certain public resonance. Difference, in the traditionalist outlook, has been regressively equated with disunity; and disunity with profound social chaos and collapse. Just as nature abhors a vacuum, so, it seems, do many Americans with regard to the social-political myths by which they organize and make sense of their lives. Even a fundamentally flawed, repressive, inequitable social order seems to many better than none at all. A clear imperative thus confronts American progressives--that intricate (and frequently fragile) web of communities comprised of people of color, feminists, gays and lesbians, the poor and working class, as well as ethnic whites who value ethnicity, indeed all who have been systematically disenfrancised and dehumanized under the once ascendant "traditional values" of pre-Civil Rights America. It's no longer enough, if it ever was, to critique interlocking systems of oppression without offering affirming alternatives of how society should and can reconstitute itself. As we move into the inevitably more demanding multilingual, multicultural environment--both nationally and globally--of the next [ this ] century, our greatest task will be an inversion of the commonly assumed equivalence between difference and disunity. We must re-write this equation, demonstrating again and again that unity does not require unanimity, that unity--that is, a sense of social cohesion, of community--can and does derive from the expression, comprehension, and active nurturing (and not merely tolerance or fetishization) of difference. This is the new standard of civilized life that now demands our urgent labor, a new world order, if you will, that subverts traditional conceptions of social order: a standard which in effect subverts the meaning of the word "standard" itself. For the new order must be comprised of multiple standards: shifting, open-ended, dynamically transforming, so as to engender ways of thinking and living that privilege no one set of cultural differences over another but affirm virtue in all. This perspective forms the key inspiration and overarching theme in STANDARDS. Page after page eloquently testifies to the commitment of a new generation of America's best and brightest to shaping a radically redefined vision of our future, where old repressive dualisms of race, class, sexuality, gender and nationality no longer reign--a future in which not merely some but all of us are free to explore and express our richest humanity. Marlon Riggs
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MARLON T. RIGGS was a
producer, director, and writer, who graduated with honors from
Harvard in 1978, and received the MA from UC Berkeley, where
he later taught Documentary Film in the Graduate School of Journalism.
His films include Tongues Untied, the acclaimed account
of Black gay male life; and Ethnic Notions, for which
he was awarded the Emmy. Mr. Riggs' work has been published in
the anthology Brother to Brother, as well as in arts and
literary magazines, including High Performance, Black
American Literature Forum, and Art Journal. A media
activist, he testified before the U.S. Senate, and wrote extensively
on the issue of censorship. Mr. Riggs was also on the policy
committee of the national PBS, and served on various other panels,
including the National Endowment for the Arts. Marlon T. Riggs
died of AIDS-related complications in 1994. We remember him with
deepest respect and admiration.
Riggs' final
film, Black Is...Black Ain't, was shown across the
nation, to much acclaim.
More information on the press release at
this link.
|
MARLON T. RIGGS was a producer, director, and writer, who graduated with honors from Harvard in 1978, and received the MA from UC Berkeley, where he later taught Documentary Film in the Graduate School of Journalism. His films include Tongues Untied, the acclaimed account of Black gay male life; and Ethnic Notions, for which he was awarded the Emmy. Mr. Riggs' work has been published in the anthology Brother to Brother, as well as in arts and literary magazines, including High Performance, Black American Literature Forum, and Art Journal. A media activist, he testified before the U.S. Senate, and wrote extensively on the issue of censorship. Mr. Riggs was also on the policy committee of the national PBS, and served on various other panels, including the National Endowment for the Arts. Marlon T. Riggs died of AIDS-related complications in 1994. We remember him with deepest respect and admiration. More information on the press release at this link. |
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About Standards |
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Sankofa is a word in the Akan language of Ghana that translates as "reach back and get it" (san - to return; ko - to go; fa - to fetch, to seek and take) and also refers to the Asante Adinkra symbol represented either by a bird with its head turned backwards taking an egg off its back, or as a stylised heart shape.More about SankofaUse of Sankofa in North America and UK
During a building excavation in Lower Manhattan in 1991, a cemetery for free and enslaved Africans was discovered. Over 400 remains were identified, but one coffin in particular stood out. Nailed into its wooden lid were iron tacks, 51 of which formed an enigmatic, heart-shaped design that could be a Sankofa symbol.[5] [6]The sankofa image has been adopted by numerous afro-centric organizations in North AmericaSankofa symbols show themselves all over cities like Washington, DC and New Orleans, particularly in fence designs.
Janet Jackson has a sankofa tattoo on her inner right wrist. The symbol is also featured in her 1997 album The Velvet Rope, as well as on the supporting tour.
Cassandra Wilson recorded the song "Sankofa", which appeared on her 1993 Blue Light 'Til Dawn CD.
References
W. Bruce Willis, The Adinkra Dictionary: A visual primer on the language of Adinkra, Pyramid Complex (1998), ISBN 0-9661532-0-0
Sankofa
From Wikipedia, the free encyclopediaAdinkra symbol for SankofaSankofa is a word in the Akan language of Ghana that translates as "reach back and get it" (san - to return; ko - to go; fa - to fetch, to seek and take) and also refers to the Asante Adinkra symbol represented either by a bird with its head turned backwards taking an egg off its back, or as a stylised heart shape. Sankofa is often associated with the proverb, “Se wo were fi na wosankofa a yenkyi," which translates as: "It is not wrong to go back for that which you have forgotten."[1]
The Sankofa symbol appears frequently in traditional Akan art, and has also been adopted as an important symbol in an African-American and African Diaspora context to represent the need to reflect on the past to build a successful future. It is one of the most widely dispersed adinkra symbols, appearing in modern jewellery, tattoos, and clothing.
Bird symbol for SankofaContents
--On Tue, Nov 24, 2015 at 10:57 AM, EveryLastCumDrop UGot <everylastcumdropugot@gmail.com > wrote:
https://www.facebook.com/gruwup/posts/1029686500387716 Mpatapo : Knot of Reconciliation / Peace Building [ symbolism Adrinkra ]
http://runaheadofme.blogspot.
com/…/my-personality-as- viewed… Mpatapo: Reconciliation and Peacemaking
This image is an Adinkra symbol (a system of symbols from Ghana in West Africa) called mpatapo. It is meant to represent the "knot of pacification/reconciliation," and as such it is the symbol for reconciliation, peacemaking and pacification.
"Mpatapo represents the bond or knot that binds the separate parties in a dispute to a peaceful, harmonious reconciliation. It is a symbol of peacemaking after strife." --from West African Wisdom: Adinkra Symbols & Meanings
I am trying to expand my efforts at teaching conflict resolution throughout the schools where I work and have chosen this symbol as the "badge" to give kids and adults who have successfully learned the principles and have pledged to embody them throughout the school.
My guiding principles are summed up pretty well in the words of a Buddhist nun, so I will let her speak for me:
We need to bring loving-kindness not only into the family but also into the schools. Before I became a nun, I was a schoolteacher, so I have especially strong feelings about this. The most important thing for children to learn is not a lot of information, but how to be kind human beings and how to resolve their conflicts with others in a constructive way. Parents and teachers put a lot of time and money into teaching children science, arithmetic, literature, geography, geology, and computers. But do we ever spend any time teaching them how to be kind? Do we have any courses in kindness? Do we teach kids how to work with their own negative emotions and how to resolve conflicts with others? I think this is much more important than the academic subjects. Why? Children may know a lot, but if they grow up to be unkind, resentful, or greedy adults, their lives will not be happy.===
But as adults, these children mentioned above become set into their ways. They do not listen to common wisdoms. They continue to strike out in non-peaceful ways towards others. What will it take for them to react and come back after they have cut and run from a major or even minor offense upon another human being?
This is the answer I have sought to generate that Maptapo BOND in a way that is peaceful, even though it may refer to something extreme.
It does work! Not always, but it has resulted in at least an apology issued from them back to me for their offense. I am sure that sometimes they still are stuck on their mindset after they depart from that point of my life back into their set ways of the life real space domains. I wish this would STICK to the WORLD of PERMANENCE --- Someday. For when they encounter this in true form Mpatapo binding processes either private from the offended party back upon them them -- or public if and/or when necessary, they realize this is the reality of the world, within the science of memetics. They sink down and perhaps really see what they are doing is hurtful. They can no longer do hurtful and hateful things toward others and get away with it in cut and run into a silence to the world of all things to then recycle again the same thing upon another. Our ways of peaceful being can be established in the real time assisted by technology under these domains.
By The Way:
The domain METTA.WS is also held under my domain set of names I carry forward upon this mission. This is two years prior to the celebrity status of METTA WORLD PEACE changing his legal name. Even though these are strickily place markers of time, that I just so happen to hold, this does not make a difference that others actually listen.
Will you open your mind and heart to listen to what is memetically active here?
For the word Muck -- with the first letter as an F -- is more universally understood in more languages than the word for "Peace". This is fact.
So, that is the pivoting point of truth that I am holding on the binding. Sorry, to strike out that this is true. It may not be kind, in a fully METTA way, but it is KIND if they see what the ultimate goal of course is happiness, as the #WordsToLiveBy that are under this memespace is defined for the reader from the time these words were originally stated in our humanity in about the year 1780.
I have fully contained the idealism with widsoms we have lost. I am trying to return them back into our mindsets, no matter what age of life one is in, children to adult. These are important ideals to remember back. There is an Adrinkra symbol for that as well. Do know they all work together or don;'t bother using one just one. They are all important. Some of them are defined not so kindly, now are they? But this one is for today and for the past, it must show it's relevance here in my writing these thoughts onto your article. Thank you.
Sankofa
Learning From the Past
Wisdom, Using past experiences to build the futureSe wo were fin a wo sankofa a yennkyi;
It is not a taboo to return to fetch something you forgot earlier on.
Gruwup : Great Reasons Us Will Unite Peace : Complete Worldwide Peace https://l.facebook.com/l.php...
7. Recombinant Memetics...See Moreio9.com|By George Dvorsky[ Auto Signature Line Below ]:------------------------------Play MP3 Audio of Text------------------------------ ---------------------------
African Adrinkra Symbolism:
Dwannimmen
Ram's Horn
Concealment, Humility and Strength,
Wisdom and Learning.
It is the heart and not the horns
that leads a ram to bully.
As this applies to the "playroom" space here:
There shall be no bullying allowed in this space that is accepted, tolerated, and not challenged for corrective action.
No Bullying Allowed! No Cyber-bullying carried forward!
Especially in Group Play situations, these can sometimes get too dismissive or diffusive to one person in the group particular aspects if what they want is not flowing for them.
But there is a peaceful solution to these situations posted on the
wall as words of guidance for all who are present here.[ Auto Signature Line Below ]:------------------------------Play MP3 Audio of Text------------------------------ ---------------------------
African Adrinkra Symbolism:
Dwannimmen
Ram's Horn
Concealment, Humility and Strength,
Wisdom and Learning.
It is the heart and not the horns
that leads a ram to bully.
As this applies to the "playroom" space here:
There shall be no bullying allowed in this space that is accepted, tolerated, and not challenged for corrective action.
No Bullying Allowed! No Cyber-bullying carried forward!
Especially in Group Play situations, these can sometimes get too dismissive or diffusive to one person in the group particular aspects if what they want is not flowing for them.
But there is a peaceful solution to these situations posted on the
wall as words of guidance for all who are present here.
--
African Adrinkra Symbolism:
Dwannimmen
Ram's Horn
Concealment, Humility and Strength,
Wisdom and Learning.
It is the heart and not the horns
that leads a ram to bully.
As this applies to the "playroom" space here:
There shall be no bullying allowed in this space that is accepted, tolerated, and not challenged for corrective action.
No Bullying Allowed! No Cyber-bullying carried forward!
Especially in Group Play situations, these can sometimes get too dismissive or diffusive to one person in the group particular aspects if what they want is not flowing for them.
But there is a peaceful solution to these situations posted on the
wall as words of guidance for all who are present here.
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